FOREIGN  OBJEKT

Clip of Unity Scene
Graphic Design: Seunghyun Lee(y!)
Sound: Dongyong Kim
Aurora Sous Vide Machine: Kwangjin Electronics
Translation: Dayun Ryu
Vocal: Kontrajelly Yujeong Shin

Sound Clip from Unity Scene
Play: 9min 30sec
Song by: Aggie Nam
Logo Monogram/Type Design by: Seunghyun Lee

Collage is not a new medium. But in the digital age how can binary subject/object dissolve or at the least teeter within the trope of The Cyborg? Or conceivably it is the opposite. Perhaps it’s not the dissolutions of edges but the very definition of them that enables the act of mutation as such. Hybrid_Enviroscapes explore this meeting point as a spatial deceleration.

EUNSOL LEE, <Firefly>, 2021, single channel video, 8'40".
Credit:
Music by Ashley J.Quick
<Éminence Grise>, <Acid Weather Report>
Sound Produced by Kim Dong Young
<Firefly>

There are no windows into the world she occupies, she exists within the prediction space - a perceptual time lapse - where the generative power of approximation and expected truth ....

et in the remnants of hippie trails in India, the video draws from the history of 1960s counterculture groups and their appropriation of spiritual ideas as a phenomenon contemporaneous with the development of the personal computer and cybernetics. No longer as active as they once were, these trails still bear the signs of the techno-fictional — overlaid with ancient spiritual regimens

Considering the birth of the first city, the weight of ambition, material waste and a zombie coerced into drinking bin juice. Here at the hard edges exists a place where....

Forerunner orchestrates a strange narrative of that dovetails passages from Jorge Luis Borges with archeological accounts of a Tughlaq-era hunting lodge in Delhi (that according to...

"Emergence" is a 3D animated work that manifests many of the ideas surrounding Gerard Carson's "Petronics" project.
Petronics is a blending of material temporalities, where the deep-time of....

I Am Afraid To (Not) Forget derives from my experimentation with melting discs – archival devices that now are becoming obsolete – creating pseudo-geological, crystalline disfigurements, highlighting...

I Am Afraid To (Not) Forget derives from my experimentation with melting discs – archival devices that now are becoming obsolete – creating pseudo-geological, crystalline disfigurements, highlighting...

SOUR DIRT attempts to render the poisonous, weedy and weird reality of digital world making by navigating the liminal spaces between unruly wilds, non-living growth and toxic clouds.

Dilating Nature expresses a form of subjective and jubilant modification, each appearing insane to the other. The creation of possible worlds goes beyond description--it delves into an...

This body of work includes drawings of organic objects formed by different processes - a termite infestation, natural growth, or being weathered by the sea. Common to these objects is their deep crevices, indicated by the darkest lines in drawing. Sheets of glass with lines engraved on them are placed over the drawings, held by iron stands. These lines are cast as shadows on...

99% of biota on earth is microbial in nature and all forms of life contain symbiotic networks of fungi, bacteria and viruses that work to communicate and trade between one another in languages made up of chemical and hormonal transmissions.
James MacAllister says, “We are all Lichens....

Plot:
Microbes have many different networks within the biosphere that allows for interspecies symbiosis
as well as the distribution of information and nutrients. What are the implications of the introduction of synthetic materials into the environment and how will it affect these systems?
Anthropocene: An Epoch, a period in the history of earth, marked by...